Phrase by 'Julie Plec'
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If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
Author: Julie Plec - American ProducerMusic , Crazy , Walk , Drive
The vampire is the new James Dean.
Author: Julie Plec - American ProducerNew , Vampire , Dean , James Dean
When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.
Author: Julie Plec - American ProducerYou , Everything , Time , Want
When you're dealing with long-distance relationships, it's a relationship played out over technology. When you're in high school, it's because you're not supposed to act on those impulses yet. So some of my favorite relationships in drama are based in people that can't really be together.
Author: Julie Plec - American ProducerYou , Together , Relationship , Technology
When you have to spread heroism across too many players, you don't get to really dig deep into each of them as much as you'd want to.
Author: Julie Plec - American ProducerYou , Want , Deep , Heroism
I'm a night owl; I could work until 6 in the morning without even thinking about it.
Author: Julie Plec - American ProducerWork , Thinking , Morning , Night
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
Author: Julie Plec - American ProducerHappy , Way , Mountains , Ending
When you have an ensemble where characters pair off so easily, it becomes extremely isolating in the story world. You can end up with two actors who have not seen each other face to face all season long.
Author: Julie Plec - American ProducerYou , World , Long , Face
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
Author: Julie Plec - American ProducerWork , Us , Hollywood , Magazine
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Don't be afraid of perfection, you'll never reach it (Salvador Dalí)
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