Phrase by 'John Van Hamersveld'
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In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
Author: John Van Hamersveld - American ArtistYou , Look , People , Colors
In 1971, I put together the 'Johnny Face' drawing as a concept, with the words as part of an image in a circle. Combining my abstract drawing with the headline 'Crazy World Ain't It' created an emblem and became a button.
Author: John Van Hamersveld - American ArtistCrazy , World , Together , Face
For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.
Author: John Van Hamersveld - American ArtistMe , Mind , Memory , Opportunity
I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.
Author: John Van Hamersveld - American ArtistWork , Black And White , Communication
What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal? The psychology of the postmodern world is the continual state of change as we live in its idealist manufactured dream, built by developers.
Author: John Van Hamersveld - American ArtistWorld , Live , Change , Dream
Meeting everyone you wanted to know in the small surf industry, I saw how the surf trade was made up of characters that not only surfed, but were able to develop a business out of their relationship with their product and the ocean.
Author: John Van Hamersveld - American ArtistYou , Business , Relationship , Ocean
While 'The Endless Summer' poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.
Author: John Van Hamersveld - American ArtistTime , Art , Relationship , Style
In 2009, I began creating 'Waterworks' with the new vernacular coming from the 'Signs of Life' work in Las Vegas.
Author: John Van Hamersveld - American ArtistLife , New , Work , Signs
In 1970, I was turning 29 years old, just 4 years out of art school. I had created a black and white drawing style mascot portrait called 'Johnny.' I made a poster for it and sent it around the world to corporate art departments.
Author: John Van Hamersveld - American ArtistBlack , Art , Black And White , Style
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
Author: John Van Hamersveld - American ArtistNew , Better , Art , Drawing
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