Phrase by 'John Logan'
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Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge through storytelling is what a dramatist does. There's always got to be something bubbling underneath that will erupt at some point.
Author: John Logan - American ProducerYou , Think , Colors , Bond
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
Author: John Logan - American ProducerYou , Me , Understand , King
The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I believe the only - the only - separation for being a dramatist is reading drama.
Author: John Logan - American ProducerBack , History , Reading , Believe
I fell in love with Errol Flynn and Tyrone Power and Basil Rathbone and Hitchcock and Orson Welles and John Huston.
Author: John Logan - American ProducerLove , Power , John , Fell
I grew up on the Bond movies. The first one I saw was 'Diamonds Are Forever,' when I was a kid. I just loved them to pieces.
Author: John Logan - American ProducerMovies , Loved , Bond , Diamonds
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does.
Author: John Logan - American ProducerLook , Nothing , Free , I Can
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play.
Author: John Logan - American ProducerCareer , Important , Done , Play
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
Author: John Logan - American ProducerYou , Cinema , Looking , Language
Realistically, it's the great truism that screenwriters are fungible, that at the end of the day a studio is not going to want to fire a movie star. And they're really not going to want to fire a star director because the director has the hand on the tiller of a ship.
Author: John Logan - American ProducerDay , Great , Fire , End Of The Day
The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story.
Author: John Logan - American ProducerIdeas , Because , Story , Continue
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