Phrase by 'James Fenton'
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I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
Author: James Fenton - British PoetYou , Me , Feel , Good
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
Author: James Fenton - British PoetKnow , Poetry , Beautiful , Done
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
Author: James Fenton - British PoetYou , Song , Words , Voice
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
Author: James Fenton - British PoetYou , Song , Down , Eye
English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends.
Author: James Fenton - British PoetSay , Poetry , Language , English Language
Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned.
Author: James Fenton - British PoetPeople , Time , Poetry , Language
Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.
Author: James Fenton - British PoetPoetry , History , Today , Become
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean periods, it is surprising that so little of any value has been added since.
Author: James Fenton - British PoetDrama , Value , Down , Wealth
Working alone on a poem, a poet is of all artists the most free. The poem can be written with a modicum of technology, and can be published, in most cases, quite cheaply.
Author: James Fenton - British PoetFree , Poet , Alone , Technology
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
Author: James Fenton - British PoetNobody , Beauty , Someone , Luxury