Phrase by 'Henry Selick'

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What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.

Author: Henry Selick - American Director
Something , Dark , Fantasy , Toys

I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support.

Author: Henry Selick - American Director
You , People , Time , Support

I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It was the end of the first great era, with a few of the original animators. They called them the Nine Old Men. I learned a lot from them, but it wasn't going to be a future home for me.

Author: Henry Selick - American Director
Me , Time , Good , Future

Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG.

Author: Henry Selick - American Director
You , Like , Magic , Animation

Puppets seem like vampires sometimes. They live, and you're depleted.

Author: Henry Selick - American Director
You , Sometimes , Like , Live

There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling.

Author: Henry Selick - American Director
You , Look , Time , Dark

I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters.

Author: Henry Selick - American Director
You , Think , Picture , Perspective

Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.

Author: Henry Selick - American Director
Way , Thought , True , Saying

Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it.

Author: Henry Selick - American Director
Life , You , Feel , Point

I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films.

Author: Henry Selick - American Director
Love , Myself , People , Looking