Phrase by 'Henry Selick'

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Kids love to be scared - there's way to do it right, and ways to do it wrong.

Author: Henry Selick - American Director
Love , Wrong , Way , Scared

What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object.

Author: Henry Selick - American Director
Life , Best , Someone , Situation

Every kid has a toy that they believe is their best friend, that they believe communicates with them, and they imagine it being alive, their toy horse or car or whatever it is. Stop-motion is the only medium where we literally can make a toy come to life, an actual object.

Author: Henry Selick - American Director
Life , Best , Car , Believe

My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.

Author: Henry Selick - American Director
Me , Work , Family , Mother

We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money.

Author: Henry Selick - American Director
Money , Nobody , Sky , Blue

Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win.

Author: Henry Selick - American Director
Love , Home , Win , Evil

You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.

Author: Henry Selick - American Director
Love , You , Know , Nature

CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.

Author: Henry Selick - American Director
Always , Want , Special , Barbie

Underneath this tired, middle-aged exterior, I'm an 11 year old kid.

Author: Henry Selick - American Director
Old , Tired , Kid , Year

I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win.

Author: Henry Selick - American Director
Think , Win , Evil , Dark