Phrase by 'Eavan Boland'

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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.

Author: Eavan Boland - Irish Poet
Me , History , Tradition , Childhood

I began to write in an enclosed, self-confident literary culture. The poet's life stood in a burnished light in the Ireland of that time. Poets were still poor, had little sponsored work, and could not depend on a sympathetic reaction to their poetry. But the idea of the poet was honored.

Author: Eavan Boland - Irish Poet
Life , Time , Work , Light

I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.

Author: Eavan Boland - Irish Poet
Culture , Woman , Water , Sketch

At the age of seventeen, I left school. I went to university, and I wrote my first attempts at poetry in a room in a flat at the edge of the city.

Author: Eavan Boland - Irish Poet
Poetry , Age , School , City

The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.

Author: Eavan Boland - Irish Poet
Time , Identity , Political , Independence

In my thirties I found myself, to use a colloquial fiction, in a suburban house at the foothills of the Dublin mountains. Married and with two little daughters, I led a life which would have been recognizable to any woman who had led it and to many others who had not.

Author: Eavan Boland - Irish Poet
Life , Myself , Mountains , Woman

During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.

Author: Eavan Boland - Irish Poet
Me , Children , Political , Small

One of the things women poets have been engaged in - among the other things they've been doing - is revising parts of the poetic self. Re-examining notions of the authority within the poem, and of the poem.

Author: Eavan Boland - Irish Poet
Doing , Women , Self , Authority

I was Irish; I was a woman. Yet night after night, bent over the table, I wrote in forms explored and sealed by English men hundreds of years before. I saw no contradiction.

Author: Eavan Boland - Irish Poet
Men , Night , English , Woman

As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.

Author: Eavan Boland - Irish Poet
Women , Woman , Voice , Tradition