Phrase by 'Bruno Dumont'
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Cinema builds memories; great films continue to exist in the spectator's mind. We are naturally capable of and prone to nostalgia. A spectator will reconstruct a film he or she has seen, years later, and may even change their original opinion. One critic, for example, once gave the finger to one of my films; later he wrote me to apologize.
Author: Bruno Dumont - French DirectorMe , Mind , Change , Memories
Matching character and actor is what a good director does.
Author: Bruno Dumont - French DirectorGood , Character , Actor , Matching
Cinema is all about going back from shadow to light and back and forth: cinema is a place of transgression.
Author: Bruno Dumont - French DirectorCinema , Place , Light , Shadow
Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
Author: Bruno Dumont - French DirectorYou , Feel , Place , Liberty
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.
Author: Bruno Dumont - French DirectorMe , Space , Too Much , Leave
There is no god. I am an atheist. It is up to us to become God. We need to be elevated, to become saints. God alienates people from themselves.
Author: Bruno Dumont - French DirectorPeople , I Am , God , Atheist
Cinema is my religion. It is a way to make people sensitive, through emotions. To make them feel, experience empathy. People are touched and act ethically when they are emotionally touched.
Author: Bruno Dumont - French DirectorPeople , Feel , Experience , Religion
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
Author: Bruno Dumont - French DirectorWork , Past , Way , My Own
Cinema is made to film material: the body. By filming the material, the mechanical, the worker, we arrive at the spiritual.
Author: Bruno Dumont - French DirectorCinema , Body , Spiritual , Mechanical
The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
Author: Bruno Dumont - French DirectorI Am , Camera , Fear , Together
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